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Panasonic shows at IBC 2019 the latest innovations in virtual and augmented reality, as a result of its collaboration with other companies. PTZ cameras as the UE150, play a key role in the demonstration.
Panasonic has been working with two of the leading players in virtual studio and augmented reality to ensure their systems work seamlessly with Panasonic broadcast cameras. The AW-UE150 camera is the first PTZ on the market to provide Position Data Notification (PTZF) and thanks to the adoption of the FreeD protocol, it is compatible with Virtual Studio and Augmented Reality applications and provides real-time positioning to the VR/AR engines.
Panasonic and Zero Density have combined to provide a cost effective and photorealistic virtual studio production solution for small to mid-range TV stations and content providers. Zero Density’s Reality Engine virtual production software combined with the Panasonic 4K PTZ camera (AW-UE150) delivers a powerful, high-quality and affordable solution to provide many more users with access to virtual studio applications.
A decade of innovation
Panasonic has also worked closely with Brainstorm, the all-in-one virtual set and real-time 3D graphics solution provider, to certify its Panasonic 4K PTZ camera AW-UE150 for use with its products. Brainstorm’s award-winning InfinitySet dramatically enhances production value to capture and retain new and larger audiences, whilst greatly reducing production costs and opening up new sources of revenue.
This all happens the same year the company celebrates the 10th anniversary since the first PTZ camera, a traditional box camera and pan-tilt head solution launched in 1999, made it to the market. The anniversary marks a nostalgic journey of technology which has since remained at the forefront of innovation. Panasonic shared some of the highlights of the journey in its professional website.
Kazu Masamura, Product Planning for Media Entertainment Business Division said, “Panasonic has been offering cameras and pan-tilt heads for many years. It was through this knowledge that we developed and launched a product which integrated a lens, camera, and pan-tilt head together. Over time, our experience has only improved, as we consider the needs of our customers to mould the direct of our innovation. We have challenged ourselves continuously, and developed better products along the way. As a result, I truly believe that today, Panasonic’s remote cameras range is a camera made by our customers.”
The PTZ camera used in Big Brother
The journey of Panasonic’s PTZ camera line began in 1999, when Panasonic first introduced the traditional box camera and pan-tilt remote head solution with the AW-E600 and AW-PH300. These cameras became incredibly popular across studios and auditoriums around the world, with demand encouraging further innovation.
While these cameras offered exceptional image quality, the progression to an all-in-one solution was the obvious direction to improve the cameras functionalities. This lead to the introduction of the AWHE100, with key features including its smooth pan-tilt performance and direct RS422 control, alongside its HD/SD video capabilities and ergonomic design. Its success prevailed as the HE100 became the first integrated PTZ camera to be used in the Big Brother reality show, based in Spain.
The next development in the line-up was the creation of smaller dome cameras. In 2009, the AWHE100 was released to market with models in both HDMI and HD-SDI, supporting IP and serial control. This made the cameras well suited to video conferencing, evidenced by the integration of 17 HE50s and 94 professional displays in the University of Hawaii to support distance learning due to the geographical constraints of the island.
Black or white: choose the color of your PTZ camera
By 2011, the AW-HE100 was then upgraded by the AW-HE120 which was 60% smaller and lighter in design, with the same IP connectivity of the HE50. Including a new fan-less design, the PTZ camera usage also began to spread into different markets across the world, including parliaments and court houses which required minimal noise distraction during filming. To meet this rising demand, Panasonic also introduced the HE120 in black and white, a feature which has become commonplace in models to date.
Following on from this model, the AW-HE60 was introduced in 2012. This camera supported 1080/50p video, and was innovative for its simultaneous image output and control over IP. These functions became critical to the PTZ cameras success, and it was soon found across a range of fix-rig documentaries which included The Secret Life and BAFTA Award-winning Education series, to the development of Nursing Simulation spaces across two campuses in Australia.
The world’s first UHD PTZ camera
Reaching out into new markets at this time, the AW-HE2 was also introduced as a low-cost, fixed position HD camera which supported pan, tilt, and zoom control through image cropping. Due to its versatility and high image quality, it became a popular piece of technology in lower budget organisations, with Huddersfield University installing a total of over 250 cameras to support lecture capture.
The next major development in PTZ technology was seen as the AW-HE40 and AW-HE130 marked the latest upgrades to the HE60 and HE120 technologies. In particular, these new models improved the ease of the PTZ installation, with PoE+ supporting power, control and video over a single CAT5 cable.
In 2016, the release of the AW-UE70 then brought the world’s first UHD PTZ camera to market. As a cause of this, the PTZ range expanded into the live events market, supporting the likes of e-sports live streams and being used to capture Disney’s Broadway Hits in 4K. Disney were successfully able to picture-match the UE70 alongside both the VariCam LT and the AK-3000 live system camera, demonstrating the picture quality of PTZs.
Further product developments have also supported Panasonic’s market leading position in this industry, with the first IP65-rated outdoor PTZ in the AW-HR140 and collaborations with KST-Moschkau supporting outdoor housing units for the dome PTZs. In addition the optional update of the current PTZs to support NDI|HX enhances their IP-based offering.
The first PTZ capable of 4K at 50/60p
Today, the success of the PTZ camera range has been found in the latest flagship addition to Panasonic’s lineup, with the AW-UE150. Boasting a number of world firsts, this camera is the first PTZ capable of 4K at 50/60p, and the widest viewing angle for a PTZ of 75.1 degrees width. In addition, the camera supports 12G and fibre outputs, with HLG/BT.2020 support for HDR.
Munenori Miyaji, Remote Camera Project Leader, Media Entertainment Business Division said “When we develop our PTZ cameras, we consider three key elements. Firstly, we provide high image quality with natural colour reproduction to ensure that colour adjustment functionalities are comparable to our flagship studio cameras. Then, we consider the ease of its use, with the camera providing accurate movements and moving smoothly in operation. Finally, we provide end users with systems that reduce the costs due to the our workflow innovations. This can include switching from serial to IP control, a one cable solution to provide power, video distribution and control via a single CAT5 connection. In addition, it can include NDI and fiber, to help incorporate additional functionalities an reduce the need for an additional cable.”
Panasonic will be demonstrating, until September 17th, the latest innovations in virtual and augmented reality as well as slow motion replay broadcast capabilities at IBC 2019 as a result of its collaboration with leading industry players. The development of models as the UE150, the first PTZ camera to work with the FreeD protocol for Augmented Reality, meaning it can be used to support the development of virtual studios, open exciting options, and with the demand in PTZ technology only set to grow, the company looks to future innovations in years to come.
The post 10 years of Panasonic’s PTZ cameras: from Big Brother to Virtual Reality appeared first on ProVideo Coalition.
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The Teradek Bolt 4K was announced last April, at NAB 2019, and now Teradek takes the system one step further, with the Bolt 4K MAX, with several new features.
Teradek introduced at NAB 2019 the Teradek Bolt 4K, a whole new category of wireless video systems, more reliable, with more range, superior image quality and controllable from a smartphone app. Able to deliver uncompressed 2160p60 HDR video transmission with zero delay, the Bolt 4K pointed in the right direction, and the Bolt 4K MAX, introduced at IBC 2019, is a clear indication of the fast development of wireless solutions.
The new Bolt 4K MAX is Teradek’s longest-range, highest-performing zero-delay 4K HDR wireless video system. Bolt 4K MAX offers several new software features and hardware enhancements that allow it to thrive in the most challenging production environments.
An interoperable system
Here are some of the new features of the Teradek Bolt 4K MAX:
- Extreme Range: Transmit up to 5000ft line-of-sight with the Bolt 4K MAX’s new antenna configuration and exclusive Broadcast Mode.
- Interference Resistant: Turn on Fixed Frequency Mode to lock onto a specific 5GHz channel for enhanced performance in the toughest RF environments.
- Maximum Performance: Bolt 4K MAX utilizes a new H-V antenna configuration that provides a clearer wireless signal with faster reconnection times over long distances.
- Unlimited Receivers: Broadcast Mode supercharges your wireless link and supports an unlimited number of Bolt 4K MAX receivers.
- 120 FPS: Transmit up to 1080p120 for high-speed camera applications.
Like the 750 and 1500, Bolt 4K MAX transmits 10-bit, 4:2:2 HDR video over the unlicensed 5GHz band, and can multicast to 6 receivers simultaneously in normal operating modes. For HDR workflows, Bolt 4K MAX supports the HDR-10, PQ, and HLG standards and can transport extended camera metadata, timecode, and record triggers over the wireless link. The system is also interoperable, allowing any model to transmit and receive from the other (i.e, a Bolt 4K 750 receiver is compatible with a Bolt 4K MAX transmitter and vice-versa).
The Orbit and Prism
For a limited time, all Bolt 500, 1000, 3000, and Paralinx Tomahawk owners are eligible for the Bolt 4K Upgrade Program, which offers up to a 40% trade in credit depending on model and condition. Bolt 4K MAX is now available for purchase and will begin shipping at the end of the month.
Teradek also showed its Orbit, which brings zero-delay, wireless, 4K HDR video to broadcast and live production workflows. Featuring Joint Source Channel Coding to better handle interference, RS-232 and RS-422 connectivity for remote control of PTZ and ENG cameras, integrated Tally and IFB, Orbit is specially designed for reliability and efficiency.
The other new product on display is the Prism, a 4K HEVC encoder / decoder solution designed for flexibility and scalability. With room for up to 9 blades in a 2RU chassis, Prism, that made its world debut at IBC 2019, can encode or decode up to 4Kp60 video with stunning 10-bit 4:2:2 image fidelity.
Teradek‘s multiple solutions, including the new Prism, Orbit and Bolt 4K MAX, are all on display at booth 12.E65, at IBC 2019 until September 17th.
The post Bolt 4K MAX, Teradek’s most advanced 4K HDR wireless video system appeared first on ProVideo Coalition.